John Tesh “Live at Red Rocks”
1990s, Jazz, Solo Matty Wishnow 1990s, Jazz, Solo Matty Wishnow

John Tesh “Live at Red Rocks”

Recorded in the summer of 1994, “Live at Red Rocks” first aired on PBS in the Spring of 1995 and hit stores just a few months later. In the thirty plus years since, it’s become synonymous with both “Nineties New Age” and “PBS fundraising.” Which is to say that it is simultaneously elaborate (not minimalist or tranquil) and cheap (free with donation). As an album of recorded music, it is almost farcical. But as a concert movie, it's positively gripping. For one windy night, against an breathtaking backdrop, accompanied by the Colorado Symphony Orchestra, and dressed in a three piece purple suit, John Tesh — the co-host of "Entertainment Tonight" — thrilled a rapt audience of dedicated philanthropists and Olympic gymnastic enthusiasts.

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Joe Jackson “Fast Forward”
Rock, Pop, Jazz, 2000s, Solo Matty Wishnow Rock, Pop, Jazz, 2000s, Solo Matty Wishnow

Joe Jackson “Fast Forward”

You think you know a guy. He’s a jazzy New Wave Pop star. A classically trained pianist. A peer of Elvis Costello, who made it, and Graham Parker, who almost made it. As a young man, he made a couple of hit records that have held up. And then, in the mid-80s, he took the other road. For two decades, he scored films, paid tribute to his heroes and composed music for grad students. When he returned, many years later, he appeared startlingly different — all black clothes and a powder white face and hair. In middle age, Joe Jackson’s passion was still genre-defying music, but also, and maybe more so, libertarianism.

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Miles Davis “Jack Johnson”
1970s, Jazz, Rock, Solo Matty Wishnow 1970s, Jazz, Rock, Solo Matty Wishnow

Miles Davis “Jack Johnson”

Recorded less than six months after “Bitches Brew,” “Jack Johnson” is as much a tribute to Betty Mabry, Davis’ former wife and muse, as it is to the titular heavyweight champ. Mabry was a Free Funk pioneer, and friend of Jimi Hendrix and Sly Stone. With his increased interest in Mabry, came Miles’ increased interest in electric instruments, in general, and distortion and Funk, in particular. Experimental music and progressive politics, however, represent roughly half of the ingredients in “Jack Johnson’s” potion. The other half of the is made up of the sweat of legendary boxers and, of course, cocaine.

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