Todd Rundgren “No World Order”
1990s, Classic, Hip Hop, Solo Matty Wishnow 1990s, Classic, Hip Hop, Solo Matty Wishnow

Todd Rundgren “No World Order”

By 1992, Todd Rundgren — the guy who kind of, sort of invented Power Pop, who sang like Carole King, who could play any instrument, and who made Meat Loaf sound like a bat out of hell — was a middle-aged, former Rock star, former producer, father of two living in Marin County, California. If he’d proven anything during the previous decade, it was that he was deeply interested in the intersection of music and technology and largely disinterested in his own commercial prospects. Which meant that, if you were Warner Brothers Records, based in Burbank, California, and trying to sell a lot of albums, you probably wanted to steer clear from him. But, if you were Philips Electronics, based in Amsterdam, and you wanted to promote your new CD-i (compact disc interactive) players and discs, Todd Rundgren was definitely your guy.

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Limp Bizkit “Still Sucks”
2000s, Heavy, Hip Hop, Band Matty Wishnow 2000s, Heavy, Hip Hop, Band Matty Wishnow

Limp Bizkit “Still Sucks”

There’s this rich, aging Floridian who’s prone to wearing red hats, saying horrible things about women, insisting that he’s a victim and flirting with Russia. Many Americans consider him to be a terrible, dangerous human. But to some, he remains unassailable -- almost godlike. His name, of course, is Fred Durst. The villainization of Durst is almost too easy. His name is basically synonymous with “douche.” And as popular as Limp Bizkit once was, they were more so reviled. To many, the band’s frontman has always been an under-talented, rage spewing bro. His litany of offenses is significant and the counter-argument is not terribly clear. Durst, however, has been consistent with his own defense: He is the lifelong victim of bullying and rejection. He’s horrified that his band’s music was co-opted by misogynists. He’s not the bad guy. He knows his band sucks. He’s in on the jokes. If anything, the joke is on us -- his critics. In fact, we are the bullies.

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Funkadelic “First Ya Gotta Shake the Gate”
2000s, R&B, Hip Hop, Band Matty Wishnow 2000s, R&B, Hip Hop, Band Matty Wishnow

Funkadelic “First Ya Gotta Shake the Gate”

When it comes to George Clinton, nothing is simple. Memories are unreliable. Facts are covered in Funk. Dusted with glitter. Stored on old, warped floppy discs, under piles of drugs, in the basement of a barber shop in New Jersey. By 2014, when Clinton turned seventy-thee, the story of Parliament-Funkadelic was something in between a cold case and a myth. Part of me thought that they were the single greatest influence on contemporary Pop music. Another part was convinced that they were the biggest tragedy in the history of Rock and Roll. I thought I’d never know the truth. But then, within a single month, George released his autobiography and Funkadelic released a thirty-three song, three and a half hour, triple album — their first new music since 1981.

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Beck “Hyperspace”
2000s, Indie, Alternative, Hip Hop, Solo Matty Wishnow 2000s, Indie, Alternative, Hip Hop, Solo Matty Wishnow

Beck “Hyperspace”

Since we finally met Beck, the grown up man, on “Sea Change,” a lot has happened: He got married. He had two children. He got divorced. He released seven albums -- most of them appreciated, and a couple beloved. He stayed in California. He stayed thin and pretty and a little weird. To the casual observer, he barely aged. But, with each successive album, he impressed less. There were no more “Odelays” or “Midnight Vultures.” In fact, to some fans and many critics, Beck became kind of boring. In 2002, I had firmly concluded that Beck could never be uninteresting. By 2019, however, I was less sure.

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Beastie Boys “Hot Sauce Committee Part Two”
2000s, Hip Hop, Alternative, Band Matty Wishnow 2000s, Hip Hop, Alternative, Band Matty Wishnow

Beastie Boys “Hot Sauce Committee Part Two”

Ten years later, I don’t really know if this was a fake sequel or a Jewish version of an Irish wake or something else. As music, it tastes more like warm soup than hot sauce. But, they were still elite MCs. And they were still fluent in Dub, Hardcore and Space Funk. Looking back, they were never my band. But a whole lot of what I know about growing up I learned from the Beastie Boys.

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Snoop Dogg “Bush”
2000s, Hip Hop, R&B, Solo Matty Wishnow 2000s, Hip Hop, R&B, Solo Matty Wishnow

Snoop Dogg “Bush”

In the 2010s, Snoop’s brand went global while his music was obscured by his celebrity and clouds of blissful smoke. 2015’s “Bush” was something of a reclamation record. With Pharrell behind the wheel, they made a chill, LA-themed, (very) Lite Space Funk record. The entire album could soundtrack the “adults only” night in 1978 at an LA skating rink, wherein The Bee Gees jammed with Funkadelic.

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Jay-Z “Magna Carta…Holy Grail”
2000s, Pop, Hip Hop, Solo Matty Wishnow 2000s, Pop, Hip Hop, Solo Matty Wishnow

Jay-Z “Magna Carta…Holy Grail”

2013 is peak Jay Z. Blue Ivy is born. Barrack Obama is elected President. He launches Roc Nation Sports. He has more number one albums than any solo artist in the history of music. He is a mega-brand. His city is number one. His wife is number one. He has all the chips. He can go huge. Maybe too huge.

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